Futura Font Family Torrent
Futura font family. 2 minutes to read. Contributors. In this article Kabel and Futura are birds of a feather, and both fonts seem to have been fledged between 1927 and 1930.
Kabel was designed by Rudolph Koch for Klingspor, while Futura was designed by Paul Renner for Bauer. Although it started life with some very eccentric letters, particularly 'a' and 'g', the lower-case alphabet of Futura is now a shade less eccentric and more polished.
As a result of this and its wider base, Futura has become the better known and more popular of the two families. The appealing spikiness of both fonts, however, makes for clean-looking headlines and text as easy to read as any sans serif face can be. By the way, if you think Futura looks like typefaces named Intertype and Spartan, you're right. At different times, different type foundries have marketed the same font under those names. Futura Bold Versions 1.10 File name futurab.ttf Authors Copyright Typeface © 1992 Fundicion Tipografica Neufville, S.A., Data © 1992 URW. © 1992 Type Solutions, Inc. Portions © 1992 Microsoft Corp.
All rights reserved. Trademark Futura is a licensed trademark of Fundicion Tipografica Neufville, S.A. Font vendor Unicode ranges Code pages 869 IBM Greek 437 US Number of glyphs Symbol encoded False Fixed pitch False Licensing info. for enterprises, web developers, for hardware & software redistribution or server installations. for personal, professional or business use on workstations. for use with CSS @font-face rule in websites.
Products that supply this font Product name Font version TrueType Font Pack 2 1.10 Futura Medium Versions 1.10 File name futura.ttf Authors Copyright Typeface © 1992 Fundicion Tipografica Neufville, S.A., Data © 1992 URW. © 1992 Type Solutions, Inc.
Portions © 1992 Microsoft Corp. All rights reserved. Trademark Futura is a licensed trademark of Fundicion Tipografica Neufville, S.A. Font vendor Unicode ranges Code pages 869 IBM Greek 437 US Number of glyphs Symbol encoded False Fixed pitch False Licensing info. for enterprises, web developers, for hardware & software redistribution or server installations.
for personal, professional or business use on workstations. for use with CSS @font-face rule in websites. Products that supply this font Product name Font version TrueType Font Pack 2 1.10 Futura Oblique Versions 1.10 File name futurao.ttf Authors Copyright Typeface © 1992 Fundicion Tipografica Neufville, S.A., Data © 1992 URW. © 1992 Type Solutions, Inc. Portions © 1992 Microsoft Corp. All rights reserved. Trademark Futura is a licensed trademark of Fundicion Tipografica Neufville, S.A.
Font vendor Unicode ranges Code pages 869 IBM Greek 437 US Number of glyphs Symbol encoded False Fixed pitch False Licensing info. for enterprises, web developers, for hardware & software redistribution or server installations. for personal, professional or business use on workstations. for use with CSS @font-face rule in websites.
Products that supply this font Product name Font version TrueType Font Pack 2 1.10 Feedback.
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That said, personally, I feel no guilt pirating highly overpriced, recognizable old fonts, of which the original designers will likely not be profiting from, in many cases because they are no longer alive. Upstart foundries and people who are actively designing fonts today deserve to have their work supported and I will happily open my wallet to support them. ITC doesn't deserve hundreds of dollars for a font from the 60s when the artist who created it died over three decades ago, just because it's an instantly recognizable font that people will ask for by name.
They're not going to see my show fliers, so fuck them and their greed. If you need a free font, use a free font. Like, if you're seriously financially incapable (and not just cheap) then use a free font. As a designer, how would you like it if someone said to you, I have mad respect for your work, so I'm going to ask you to leave the room so I can steal it. Having respect for someone doesn't make up for you not crediting them for their work. If we could live off respect, we would all be kings I'm sure. But we need money.
Don't come here trying to justify exactly what you would hate to have happen to you: someone recognizing the legitimately good work you do but trying to undercut you because they're cheap. What goes around comes around. Sorry for the rant but if we don't respect ourselves who will respect us? Though your point is pretty solid and I agree, you are looking at the whole disscusion pretty harshly.
First of all Im asking because I dont know this stuff, And I never said I had stole them, but I admitt ive used some, but only for personal projects. I have never used one for a project that i was paid for, I havent even been a part of a project that has been paid for yet. So mainly I asked this because I have uploaded a project on Behance.net that i did not get paid for and Im not really sure what the Moral Standards are in that situation, if thats a personal project or could be viewed as a finnancially beneficial project because its on my Portfolio.
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I ask to earn knowledge, you actually let me know how serious this matter is so thank you:). Legitimate might have been the wrong word to use (This is not my main language). I have only used the fonts Ive downloaded for personal projects that ive put on Behance.net. Im asking cause I dont know, and what I meant to say was maybe that i was looking for a answer that explains to what extent I can use the fonts I downloaded without being sued or be in a risk of any legal issue. And I dont intend on using them on projects I would get paid for, in that case I would buy it as an investment.
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Your not a dick, just badly written by me.