7 Notti In Arena Ligabue Download Music
Ligabue's 2014 release Mondovisione was announced as something of a change of pace from his 2000s output, a return to a harder, snarling rock sound accompanied by angry, politicized lyrics about the dire current state of affairs in Italy. Such an impression was mostly founded upon the lead single 'Il Sale Della Terra,' which had begun to storm the airwaves two months before the album was unveiled. A biting description of a particular kind of arrogant, criminal mentality unfortunately all too common in Italy was set - surprisingly for Ligabue - to a catchy vocal loop intercut with powerful electric guitars; the single certainly delivered on the album's premise. Alas, Mondovisione as a whole tells a different and very familiar story. Never mind that Ligabue chose a new co-producer in his keyboard player/programmer Luciano Luisi, or that he'd spent close to a year in laying down these tracks with his band in search of that elusive perfect sound, the truth is that this is yet another standard Ligabue album. Yes, some tracks rock hard and some could be considered protest songs, but the effect is pretty much the same as on any of his records. This is by no means a problem since his records are all pretty great, but in all fairness, Mondovisione seems lacking in those instant classics that turn his best albums into something special.
Rather, it's mostly composed of solid, deep album cuts which not only make for compelling listening but also enhance Ligabue's main weakness, namely that he is one of those artists who is always rewriting the same two or three songs over and over again. Mondovisione has them all: a manifesto of rousing social indignation ('Il Muro del Suono,' 'Il Sale della Terra'), a portrait of life as a rock star ('Con la Scusa del Rock'n'Roll'), a portrait of a woman who carries a lot of baggage ('Il Volume delle Tue Bugie'), a love song (second single 'Tu Sei Lei'), a message of hope ('Sono Sempre i Sogni a Dare Forma al Mondo'), and an autobiographical confession (the moving 'Per Sempre,' about his parents, arguably the album's finest moment). All of the above, in fact, all of the songs on the album, are quintessential Ligabue tracks whose only fault is not being definitive Ligabue tracks, but the album will probably catch fire performed live and thus contain the emotional potential to resonate deeply with his many fans. Pc crack software free download. Mariano Prunes.
Buon Compleanno Elvis was the album that made Ligabue a superstar in Italy, a position he has not relinquished ever since. Key to the album's success was Ligabue's reshuffling of ideas and personnel after the disappointment of 1993's Soppravvisuti e Sopravviventi. Indeed, Ligabue's new supporting core of Mel Previte, Antonio Righetti, Federico Poggipollini, and Fabrizio Barbacci (who also co-produced the album with the singer) finally manages to convey and capture the right 'rock & roll all'emiliana' sound, a feat that former productions had found rather elusive.
Above all, a thoroughly reenergized Ligabue was able to create his longest and best set of originals to date. Contrary to the pessimism in some of his previous material, most of the new songs sound positively defiant, often discussing the right to individual choice and lifestyle against oppressive conventions. Almost every track of this album became a staple of Ligabue's live repertoire, from the rockers 'Vivo Morto o X' or 'I Ragazzi Sono in Giro,' to more reflective numbers such as 'Hai un Momento Dio' or 'Certi Notti' - the latter voted Best Italian Song of the '90s, and generally considered Ligabue's most famous song. Mariano Prunes. Ligabue's third studio album became an unwilling turning point in his career.
Featuring more elaborate instrumental parts, a harder sound, and more thoughtful, somber lyrics, it was meant to be the singer breakthrough. However, sales were disappointing and soon after its release Ligabue parted ways with producer Angelo Carrara and backing band Clan Destino, the team responsible for his first three records. Sopravvissuti e Sopravviventi has been greatly reappraised over time, and is now a favorite with hardcore fans, particularly because it includes two of Ligabue's most beloved ballads, 'Walter il Mago,' and 'Ho Messo Via.' Mariano Prunes.
From his beginnings in 1990 as Italy's humble answer to Bruce Springsteen's everyman arena-sized rock, Ligabue has never drastically altered his formula. Over time, he has managed to remain contemporary simply by adding a smart touch of reverb/delay to his guitars, recasting his rock & roll anthems in a U2 or early Radiohead manner. Other than that, it is still the same catchy riff intros, the same IV/V chord progressions climaxing in consistently rousing choruses, plus a few ballads thrown in for good measure. Amazingly, as stereotypical as the formula may sound, with the right songs and the right charisma it still packs a wallop every single time.
Such is exactly the case with Arrivederci, Mostro!, Ligabue's long-awaited new album after 2005's superb Nome e Cognome. At least half the album faultlessly recycles the recipe described above, including the three-song take-no-prisoners opening salvo of 'Quando Canterai la Tua Canzone,' 'La Linea Sottile,' and 'Nel Tempo'; the first single, 'Un Colpo All'Anima'; and the terrific closer, 'Il Meglio Deve Ancora Venire.'
7 Notti In Arena Ligabue Download Music 2017
The rest is perhaps not always as effective but arguably even more interesting as Ligabue takes a few chances, such as the amusing romp 'Taca Banda' (featuring his 11-year-old son on drums!), the open letter to idol Francesco Guccini 'Caro il Mio Francesco,' an unprecedented (for Ligabue) tirade against the Italian music industry that explicitly revisits Guccini's classic 'L'Avvelenata,' and 'Quando Mi Vieni a Prendere,' a song inspired by a real-life tragedy that took place in Belgium in 2009, when a madman broke into a childcare center and stabbed to death two children and a teacher. A deeply disturbing seven-minute narrative told from the point of view of one of the children witnessing the event, it is the most harrowing song Ligabue is ever likely to write. It is also profoundly compelling at an emotional level - which comes as no surprise since establishing an emotional bond between singer and audience is exactly what Ligabue excels at as a songwriter and performer. In this and in every other respect, Arrivederci, Mostro! Offers ample proof that Ligabue is celebrating 20 years of his career at the top of his game.
Mariano Prunes. Miss Mondo is Ligabue's sixth album, released four years after his big commercial breakthrough with Buon Compleanno Elvis - almost the same amount of time it took him to make his first five records. Dealing with the consequences of success may not have come easy for Ligabue, who in this album switches from his trademark character stories to more personal statements, often expressing a growing disappointment and frustration. 'Si Viene e Si Va,' 'Almeno Credo,' and 'Miss Mondo' stand out among the album's many fine moments, with special honors going to the autobiographical hit single 'Una Vita da Mediano' and the angst-ridden 'L'Odore del Sesso.' Some tracks feature string arrangements recorded at Abbey Road by the London Session Orchestra, conducted by Piero Milesi. His most lyrically and musically ambitious work to date, Miss Mondo is the first Ligabue album entirely produced by the songwriter himself. Mariano Prunes.
Contents. Biography Ligabue was born in, in the ( in northern Italy). Before becoming a successful singer, he held various jobs, working in agriculture and in factories. He entered the music world in 1987, when he founded the amateur band. For this band he wrote several original songs, with which they participated in several local and national contests.
The following year his fellow Emilian singer-songwriter was the first to discover Ligabue's writing talents, and included one of Ligabue's songs, 'Sogni di Rock'n'Roll' ('Rock n roll dreams'), in his new LP. The following year Bertoli introduced him to producer, to finish an LP of his own, which was released in May 1990. Ligabue soon gained fame as one of the most successful Italian rock stars, finding fans mainly among younger audiences.
His most famous hits include Balliamo sul mondo (Let's Dance on the World), Ho perso le parole (I've lost words) and the most successful of all, Certe Notti (Certain Nights), which was voted as 'Italian song of the 1990s' in a poll held by a popular music magazine. He also collaborated with another famous singer-songwriter, who also had a part in Ligabue's first movie. Ligabue directed his first movie, in 1998, a semi-autobiographical story of a local radio station. Critics acclaimed it as surprisingly well shot for a newcomer, and the film received 3 (the highest award in Italian cinema). He also composed the soundtrack. Four years later he shot ('From Zero to Ten'): however, it was not as well received as the first work, by both critics and fans.